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DaVinci Resolve 21.1.2 is now available! This update delivers significant AI performance improvements on Apple and Intel...
blackmagic-design

DaVinci Resolve 21.1.2 is now available! This update delivers significant AI performance improvements on Apple and Intel...

DaVinci Resolve 21.1.2 is now available! This update delivers significant AI performance improvements on Apple and Intel graphics platforms, expanded scripting support, improved timeline editing and faster OGraf playback with additional template controls. DaVinci Resolve 21.1.2 also includes general performance and stability improvements and is available to download now from https://bmd.link/yoLPtr #BlackmagicDesign #DaVinciResolve #postproduction

Fusion Studio 21.1.2 is available now! This update adds up to 4x faster OGraf playback, so you can preview animated...
blackmagic-design

Fusion Studio 21.1.2 is available now! This update adds up to 4x faster OGraf playback, so you can preview animated...

Fusion Studio 21.1.2 is available now! This update adds up to 4x faster OGraf playback, so you can preview animated graphics more smoothly as you work. OGraf clips now also use action durations to place stop actions, so animations stop at the intended point. Support for OGraf select and multi-select template controls gives you more ways to customize graphics, allowing you to choose individual options or multiple options within a template. Responsive OGraf templates now also adapt to the aspect r

Edward Goldner ACS, cinematographer for the psychological crime thriller ‘Treasure & Dirt’ talks about bringing this...
blackmagic-design

Edward Goldner ACS, cinematographer for the psychological crime thriller ‘Treasure & Dirt’ talks about bringing this...

Edward Goldner ACS, cinematographer for the psychological crime thriller ‘Treasure & Dirt’ talks about bringing this six-part TV series to life using 65mm cinematography. Set in a dying opal town in the Outback, this is Australia’s very own ‘Twin Peaks’ full of strange folk and even stranger places.   “I wanted the show’s imagery to be classic, shot in a way that would feel epic but also uncomplicated in a sense. We would often try to hold action in wider frames with minimal edits to create a bi

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