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Blackmagic Design NAB 2026 New Products
Discover the new Blackmagic Design solutions announced at NAB 2026:
live production, broadcast, IP video, SMPTE 2110, shared storage, live audio
and professional post-production workflows.
Blackmagic full-frame 6K cinema cameras: new lower prices
Blackmagic Design has permanently cut the list prices of its full-frame 6K cinema cameras: Blackmagic PYXIS 6K with L-Mount, EF and PL mounts, and Blackmagic Cinema Camera 6K. This is not a time-limited promotion: these are the new prices.
Today we announced UltraStudio Express HD, a new capture and playback model that replaces the older Thunderbolt based UltraStudio HD Mini. It's designed for high quality broadcast use in all SD and HD video standards up to 1080p60, and is compatible with Mac, Windows and Linux computers with USB4 or Thunderbolt 4 connections. With both digital and analog connections, UltraStudio Express HD is perfect for archiving from old broadcast decks, or for editing with DaVinci Resolve. It captures and p
DaVinci Resolve 21.1.2 is now available! This update delivers significant AI performance improvements on Apple and Intel graphics platforms, expanded scripting support, improved timeline editing and faster OGraf playback with additional template controls. DaVinci Resolve 21.1.2 also includes general performance and stability improvements and is available to download now from https://bmd.link/yoLPtr #BlackmagicDesign #DaVinciResolve #postproduction
Fusion Studio 21.1.2 is available now! This update adds up to 4x faster OGraf playback, so you can preview animated graphics more smoothly as you work. OGraf clips now also use action durations to place stop actions, so animations stop at the intended point. Support for OGraf select and multi-select template controls gives you more ways to customize graphics, allowing you to choose individual options or multiple options within a template. Responsive OGraf templates now also adapt to the aspect r
Edward Goldner ACS, cinematographer for the psychological crime thriller ‘Treasure & Dirt’ talks about bringing this six-part TV series to life using 65mm cinematography. Set in a dying opal town in the Outback, this is Australia’s very own ‘Twin Peaks’ full of strange folk and even stranger places. “I wanted the show’s imagery to be classic, shot in a way that would feel epic but also uncomplicated in a sense. We would often try to hold action in wider frames with minimal edits to create a bi